![]() Chalk it up to Macklemore's playful and open lyrics ("When I was in the third grade/I thought I was gay/Because I could draw, my uncle was, and I kept my room straight") or the album's not so secret weapon, Ryan Lewis, the producer who earns his co-billing with a George Martin or Dave Fridmann-sized sense of purpose and an Internet kid's sense of utilizing anything and/or everything. ![]() These arty name-drops threaten to paint the album as more obscure than it is, but even as glitch electronica and Mad Rad member Buffalo Madonna strange up the breakup number "Thin Line," The Heist comes off as instant, alive, and oh so welcoming. ![]() When Macklemore declares his music is " David Bowie meets Kanye sh*t," it's a bit of an oversell on the Bowie side, but then again, Jean-Michel Basquiat and Keith Haring are also honored as influences during "Ten Thousand Hours," the biographical highlight that opens the Seattle rapper's vibrant sophomore release. ![]()
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